In 1998 George Maurer and I were working together in yet another pit band for a community theater production of Joseph and the Amazing Technicolor Dreamcoat in Little Falls, MN. Playing the part of Joseph was a man who was to become one of my closest friends, Jeff Engholm.
At this same time George's agent asked him to form a variety band for a young lady named Robbie Brooks. He asked me if I was interested and mentioned that "the guy who plays Joseph" was, aparently, a very good bass player. George quit the band after a year or so, but Jeff and I, along with our drummer, Amy Schmidtbauer, spent the next three years playing Brown Eyed Girl for people in Minnesota, Wisconsin, Iowa and North & South Dakota as a part of the Robbie Brooks Band. Robbie eventually moved to California and married blues artist Keb Mo. They have a son named Carter. There are a lot of good stories that came out of that band.
In 1997 George decided that he wanted to start moving away from the "solo piano improvisations" he had been playing since the late 80's and start playing traditional jazz. As mentioned before, I had played in jazz bands and combos in college and he remembered me from that time, so he asked me to join his new band. We asked Jeff to play bass, and he suggested the drummer from the SCSU jazz band who was just about to graduate, named Scott Chabot. Jeff also brought in the singer from his college jazz combo, Ann Michels. George brought in his old trumpet playing buddy, Richard Witteman. That group has been together, with only a minor hiatus by Scott, ever since. That's a pretty amazing record, if you ask me, not a lot of bands can say they've had the same personel for ten+ years.
Turns out that this band, who has become, in essense, my family is quite a bunch of talented folks. Ann appears on stages throughout the Twin Cities area and has had major and starring roles at the Guthrie and the Chanhassen Dinner Theater. Richard is not only a fine trumpet player, but a singer who I have seen spellbind an entire room. Jeff is a solid and talented bass player and a pretty dang good vocalist as well. Scott is the most unique drummer -- you can practically hear the chord progression when he solos, not many drummers can say that. And George, beyond being a great pianist and composer, is the glue that holds us all together, it is his drive to do new things and play as often as possible that keeps us all working.
1999 saw Jeff living up near Randall, MN sort of caretaking the home of artist Russell Sharon while he spent the winter and spring in Florida. Jeff spent that time amassing equipment for his own home recording studio while creating his solo album called Summit Climb. When it was complete he wanted to form a band to perform the songs live and sell the CD. He asked me right away and I told him, "I've got just the guy for you for the other vocal parts and guitar playing," and suggest Nathan "Nature" Nesje. That was the formation of Collective Unconscious.
Since then we've recorded two albums of our own music (some of which Nature and I had been playing for years) and mounted a couple of ambitious shows, the Beatles' Abbey Road album in 2001, and the gargantuan Beach Boys Pet Sounds in 2003, and Simon & Garfunkel's Bridge Over Troubled Water in 2008.
I love playing in CU, even if we don't play that often. We have played some great shows and had some great jams -- including a marathon single set that lastest almost 5 hours!